When Cheryl and her roommate quarrel, Cheryl moves into her aunt's skid-row hotel in downtown L.A. rather than return home to Ohio. The lodgers are odd, Aunt Martha is a moralizer obsessed with funerals, murder is afoot, and the inexperienced and trusting Cheryl may be the next victim. She wants to be treated like a woman, and she's drawn to George, a handsome photographer who longs for human contact but sleeps with a water-inflated doll and spies on Cheryl as she bathes. Jeff, a neighborhood clerk, may be Cheryl's only ally in what she doesn't realize is a perilous residence haunted by family secrets. And, what happened to Alice, a model who used to have Cheryl's room?
xrlong
B级片界的茜茜·斯派塞克和歌蒂·韩开启的B级《惊魂记》加《偷窥狂》。好奇的闯入者变为被偷窥的对象,观众被强迫参与其中,针筒成为《偷窥狂》相机脚架式的隐喻。保罗·巴特尔的影片常常在古怪的氛围和人物之中还透着古怪的幽默感,对嬉皮士的挖苦也是从一始终。虽然有种种剥削情节,但姨妈对葬礼的解读恰似跨性别者的心声,让影片多了一层深意,而不全是妖魔化
寂寞死在永夜
荒诞不经黑色幽默惊悚片 病态男注水充气娃娃 血水针筒达到性高潮 如此清新脱俗的爱好 变态公寓女大妈 最后也自食恶果 思春女主最后也蜕变成另一位变态 结局神来之笔 极其荒诞滑稽 全片感觉没一个正常人
451½°F™
作为B级血浆恐怖片依旧充满套路,以及「借鉴他者」的痕迹,对于「性变态」的刻画地摊黄色小报气息十足(消费色相反而是其次的)。