一粒莎♒︎

老师真是撩妹一把好手!

2022-03-10 有用 0
Cinema is dead

史上第一部女同电影的噱头大于实际质量,但她们的感情关系讲得是挺明确的。

2020-07-01 有用 0
Pumpkin_

小女生与位高者的老师之间这种关系就本片来讲看起来很奇怪,甚至说有点不适,特别是主角小女生刚到那学校时的一个扫到背影镜头,一位女士的手放在女生的背部下方(或者说靠近屁股的地方)。

2021-10-06 有用 0
舞动柯布斯

小姑娘的直接和校长的(假装)不直接提供了核心观影乐趣,后者诸多被隐去的背景前史给电影蒙上一层神秘色彩,或者说需相应年纪的观众才能提供些心理状态解释。她真的对每个女生都能保持如此适当程度的爱抚?巴黎、斯特拉斯堡一日类似长辈关怀版的“相见恨晚”,从Olivia的视角出发,则是酷儿青年的人生重要一站吧?

2021-04-19 有用 0
[Deleted]

2018修复版,受到“穿制服的女孩 Mädchen in Uniform (1931) ”的影响,第一反应却是Emily Dickinson的形象,文学改编的传统古典风格是之后完全不同新浪潮的另一种美感,同体会的是追求礼仪社交和优雅的旧日风貌,却在默片基础上丰富了言语间更细腻的情感,女性之间爱慕在此时更应该看作是柏拉图式的精神寄托,虽然其中的言语的确很直接…

2019-08-19 有用 0
  大概是法国第一部描写女同志的故事片吧。  Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.  French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.