李气清
终于有完整戏剧结构了,然而趣味掉了一大截,后台秘闻也要搞成群雄斗恶龙。再次展现早期默片喜剧对机械结构的迷恋,墙板倒塌而人物因空格幸免这一招后被基顿发扬光大。
mecca
始见基顿冷面,及众机关的雏形。灵活胖子Fatty的喜剧格局显然low了不止一筹。雪景扮冻:“I said shiver, not shimmy!” (请脑补不上手的拍胸舞)
黑特-007
小舞台破事多(x)基顿又双叒叕女装,“墙倒身子穿窗过”梗的前身
Lotus
舞台刚砸下来那会,还在寻思这有啥好笑的,结果再来一发弄烂,第三发接着把背景弄烂。破坏舞台这事儿其实就是破坏了魔术铁则萨斯顿三原则里的绝不向观众揭秘,不过这种人尽皆知的背景舞台似乎可以免除此列。电影从基顿开始就是戏法,戏法就是魔术,利用信息的不对称给观众制造视听奇景。那个卡着脖子的杠铃,胖子举不起来,女孩轻轻一提就行,这也是对揭秘的反复利用。默片时代能利用的只有画面信息,而老艺术家们也确实已经尽己所能。
Back Stage is a 1919 comedy, one of the last films that Buster Keaton would appear with Roscoe "Fatty" Arbuckle before they went their separate ways, Keaton would get his own studio, and Arbuckle got into feature length films.
In this film, Keaton, Arbuckle, and others, work as stagehands, backstage of course, in a playhouse trying to help and in some cases, stay far away from the eccentric and diva-like performers. When the performers rebel and refuse to do the show, the stagehands, along with Arbuckle's love interest, the assistant of one of the rebelling performers, perform in their place- including Keaton showing his ability to do butterflies, no handed cartwheels, while in drag.