肥利普先生
今年北影节最后一场,要给出唯一一个五星。满屏的知识分子掉书袋完全不会让我腻烦,毕竟也用可丽饼和源氏物语自嘲了。能让时光暂停世界停止运转,某种程度上也是浪漫和美好的,骨子里精通这一套的法国人抓住了它。对待封控的不同观念和理念冲突像是时代记录,兄弟亲缘和重组关系如同润滑剂让故事真实可感,儿时怀旧和乡村图景则增添了几分诗意。
立青映画
(2.7/5)新冠封控的随笔,太过导演私人化,但不得不说法国乡村小镇也太美了~
regit
法国小布尔乔亚以高姿态笑侃新冠,难蚌,毫无共鸣。旁边德国人一词锐评: oberflächlich
HarperDie
两星半。阿萨亚斯对居家隔离期间的生活感悟,有着非常私人化的闲适表达,但从一部影片的叙事节奏来看有些沉闷过头,和现实中那段时间的生活一样枯槁无味。
April 2020 – Lockdown. Etienne, a film director, and his brother Paul, a music journalist, are confined together in their childhood home with their new partners Morgane and Carole. Every room, every object, reminds them of their childhood, and the memories of the absents - their parents, their neighbors…This compels them to measure the distance that separates them from each other and the roots they share, those of their ground zero. As the world around them is becoming increasingly unsettling, unreality, and even a disturbing strangeness, invades their daily gestures and actions.